with jewel case / 8 page booklet

lorenzo senni on warp!

more sought-after gems from calibreÕs archive.

mr. scruff delivers a head-spinning melange of grooves for the next dj-kicks installment.

original sound track from the berlin movie >yung<

incl. remixes von tom moulton, purple disco machine, mousse t., danny krivit, dimitri from paris, dr packer und david morales.

airwave, one of belgiumÕs iconic underground dance music gurus celebrates 20 years

airwaveÕs latest album, classical reworks

limited edition. cd ep version

deluxe hardbook incl. 2xcd

limited cd!

hip hop album by verb t & pitch 92

new high recommended hip hop album by georgia anne muldrow

a retrospective of patrice rushens work from 1978 to 1984 on cd, carefully remastered from the original tapes.

this is the new album by modeselektor.

cd powder is an alchemist of time. her ceremonious dj sets invite listeners and dancers to extend their imaginations to abstracted spaces, while allowing the body to vessel the voyage in free, flowing style. playful, thoughtful, and natural without knowing, powderÕs crates encourage abandonment of arbitrary boundaries and expectations surrounding genre, movement, schedule, and societal convention to revel, spirited and harmonious, in the passage of time. momoko goto relocated from her hometown of nagasaki, japan to tokyo in 2011. this is where the story of powder, as the international dance music community knows her, begins. with the change in location came a change in lifestyle, where a balance of 9-to-5 office life and sacred, nocturnal recording sessions invited moko to reflect on musics unique ability to stop the clock and expand or shrink our sense of time.

14 rare and hidden tracks, produced between 1977 and 1986 ... selected by charles maurice

remixed with love volume 3 is the latest edition of what has become the industry-leading disco remix series. no one knows this era of music better than dave lee, who under his joey negro alias once again turns his impeccable hand to some of the best-loved records ever committed to wax.

anders trentem¿llers career is a travel-heavy one, with his touring schedule taking him pretty much all over the world. but its his home port thats inspired his latest project, the sprawling, stunning compilation mix Ôharbour boat trips vol. 02: copenhagen. clocking in at just over an hour long, the compilation sees trentem¿ller curate and craft sixteen songs into a heavy, hazy mix that ranges from shoegaze to electronica, featuring both familiar and celebrated artists like a place to bury strangers (with a new trentem¿ller remix) and slowdive to more obscure finds, as well as trentem¿llers own tracks and remixes, most notably a brand new trentem¿ller cover of neil youngs classic Ôtransformer man. the mix sees him pick up a thread he left off earlier in his career. in 2009 he put together Ôharbour boat trips - 01: copenhagen, a compilation mix comprised of his favourite music, both danish and international, from across four decades, loosely inspired by the motion and movement of copenhagens busy harbour. closing in on a decade later, were getting the second edition, with Ôharbour boat trips - 02 arriving this november.

in a time when jazz music is entering a contemporary renaissance and exciting the ears and minds of new audiences, zombie zombie s ƒtienne jaumet offers us his unique, idiosyncratic take on the sound with the sprawling Ò8 regards obliquesÓ, his 3rd solo album with the versatile label.

the air texture series asks two producers/ performers to select a double cd worth of unreleased music. the only guidance is the music should not be main floor bangers, other than that we get out of the way, allowing them autonomy over their selection. this time steffi and martyn were asked to step up. exciting, since as residents at berghain/panorama bar - two of the most important dancefloors in the worldÉ how would two such respected artists approach our experimental ethos. bringing together contributions from veteran producers such as total science, as one (kirk degiorgio) and stingray, as well as contemporaries actress, vivek and shed, the artists explain in a press release that the selected tracks are all unique interpretations of a leftfield, non linear aesthetic. 26 total tracks including the above mentioned, answer code request, shed, dbridge, appleblim, faltydl, mosca, kink, and steffi and martyn as well.

nice price deal !!! after a bunch of succesful, module blasting releases by german-based label struktur, it is time for another physical one. for our first compact disc, we aim at giving you a fine selection of predominantly analogue techno in all its varieties by artists from all around the globe. for this special treat, called -black circle-, we compiled 12 tracks by exciting producers for you to discover. the sounds range from more industrial, spherical and hypnotic compositions, like taken out of one of william gibson s dystopian tales, to completely overcharged, circuit-melting monstrosities, that might just leave you speechless. if you are a connoisseur of analogue sounds and well structured pieces, this is for you!

the sunset sessions 6 - compiled by kenneth bager

tip!

the official sonne mond sterne festival compilation! 2cds , 2 mixes by charlotte de witte und markus kavka. inclusive unreleased tracks

over the years, berlin has been cited as oliver koletzkis main point of reference and, more importantly, his endless source of inspiration. his albums gro§stadtmŠrchen and gro§stadtmŠrchen 2 are wholehearted tributes of the german capital, as its importance is continuously hinted and charted. friedrichshain, one of berlins vibrant districts, has always held a special place in olivers heart. this is where he started out when he first moved to the city, and this is where he lives now. kreuzbergs wall paintings adorn stil vor talents cover sleeves and host their headquarters. there are little to no corners in the city that havent brought a spark of inspiration into the mix. the schneeweiss compilation series, now at its eigth installment, is built as a form of tribute to all these particles, tied in together into a series of carefully curated tracks. each compilation stands at the intersection of the musical and cultural surroundings most prominent of their respective times

extraordinary pieces of music have long stood in direct correlation to the physical surroundings that inspire them. when oliver koletzki and niko schwind packed up their berlin studios last april to spend a month locked away in a cottage nestled in the stunning nature of cape towns noordhoek area before heading to afrikaburn, little did they know that its long beaches, dramatic mountain views and the heritage of its indigenous people would have such a profound effect on the club-ready sound they had championed with a string of eps and live-performances since 2015. the result of four weeks of geo-cultural stimuli and creative experimentation culminated in the album noordhoek, released in may 2018 on stil vor talent. while the productions on noordhoek display the same on-point sound design of previous oliver koletzki and niko schwind releases, the impressive emotional depth and electronic floor-focus of its twelve tracks effortlessly merge with complex rhythmic textures to form a contemporary narrative on ancient dance rituals. after a roller coaster ride through twelve versatile yet coherent productions, one thing is certain as the ultimate crack of thunder crashes down on noordhoek: south africa fuelled the creative energy of two remarkable musicians, who where able to translate the abundance of their impressions into a truly original world of sound.

with ÈredsuperstructureÇ, robert lippok created a new foundation for his musical endeavors. now Ð 7 years later Ð this system properly comes to life on Èapplied autonomyÇ. the title of the new album is a clear indicator as to what the berlin-based producer has been up to during the last couple of years, both on a conceptual level as well as how he molds his ideas into tracks. Èapplied autonomyÇ orchestrates a certain state of frantic standstill, which occurs once a structure is set. has this state been reached, the artist is free to focus on other equally important aspects, balancing the various shades, pushing ideas even further to really make them shine and blossom in their self-declared autonomy. the more light one lets in, the more layers become visible. layers are key when it comes to understanding Èapplied autonomyÇ. big chunks of the material with which the album has been produced derive from sketches specifically made for a club performance. rather than meticulously devising each and every detail, lippok focussed instead on recording as many fragments as possible in a short period of time, elements which he could later combine and layer on stage. based on this material and his experience experimenting with it in a live environment, the album slowly began to shape. an album culminating in a collaboration with klara lewis, with whom lippok spent 2 days at the ems studios in stockholm, approaching the idea of autonomy from yet another angle. during the session, both musicians played and performed simultaneously, yet not explicitly together, lost in their own thoughts and ideas, only subconsciously taking in what the other one was coming up with. the result is ÈsamtalÇ, 14 minutes of a constantly evolving state of poise, magically connecting all the dots lippok had already defined as Èapplied autonomyÇ. the artwork for Èapplied autonomyÇ has been created by the berlin-based argentinian artist luca gutierrez. over the last couple of years, he has made a name for himself with his spectacular av performances.

super-jewel case, 8 page booklet
everything begins with changes, whether you re moving geographically or emotionally. aeraÕs album ãthe sound pathÓ tells the story of this sentiment.
born in the high north of germany and now a berlin resident, ralf schmidt aka aera first appeared on the electronic music map when he established his own aleph music label back in 2010. with only a handful of releases, aera was able to lay out his very own musically topography on the cutting edges between house, psychedelia and breakbeats. this colourful mix culminated on his debut album ãoffseason travellerÓ in 2013, resonating the past forty years of electronic music, which brought him the attention of a wider audience as well as fellow djs and producers. so it was a logical consequence that his talent also attracted other labels and lead to widely praised releases on innervisions, maeve or john talabotÕs hivern discs. with these, aeraÕs sound bloomed further into bubbly acid and trancey territorries and his fine reputation as a singular producer, travelling dj and remixer flourished. with ãthe sound pathÓ aera continues his musical travels and permanent vacation is gladly hitchhiking on that ride. his second album is the most coherent and definitely most personal work to date. here, he has perfected his sound even further - adding nuances from the meadows of new age, kraut cliffs and high-flying kites of ambient. complete with the cinematic and nature-esque qualities of ralfÕs music, it will draw you in deeply through a great variety of landscapes before your inner eye. however, youÕll never lose track, because this path is beautifully illuminated.

to find lawkyz, follow the beat. it is here, in this vital part, this lighthouse which guides the route of the other instruments, which it prints in depth the low notes of his four strings. riveted on the drums. linking with it a rhythmic pact, ensuring the propulsion of the groove on stage with erik truffaz or guts, on records with uht ¡, anna kova, or versus, his hip hop project with full live band. when he puts his fetish instrument, when he lets cool his amp, then wakes up his evil twin: the waxidermist. one year after his last ep, the waxidermist comes back to tell his story.

moby has released a new single and video for Òlike a motherless child,Ó from his forthcoming album everything was beautiful, and nothing hurt. featuring la-based soulstress raquel rodriguez, Òlike a motherless childÓ is a re-work of the well-known spiritual, with its origins in the slavery of the american south. the track describes the void left when one feels separated from a parent, higher power or similar guiding force. over the years this powerful song has been reinterpreted by the likes of odetta, lena horne, mahalia jackson and van morrison. the album is a glowing tapestry exploring spirituality, individuality and the brokenness of humanity and finds him returning to his orchestral, soul, trip-hop and gospel roots.

answer code requestÕs 2014 debut lp code was an exciting moment for electronic music in berlin Ð one that offered a break from the eternal hall and monolithic 4/4 kicks that ruled the cityÕs club landscape. as a hybrid gesture, the albumÕs spirit recalled an especially fruitful era in the german capital from the mid-90s to early 2000s, when dub and pad- driven detroit techno cross-pollinated with berlinÕs industrial aesthetic to create one of the cityÕs most exciting musical chapters.

its that time of year when thoughts turn to lazy afternoons down the beach, early evenings sat watching white isle sunsets and sticky nights of loved-up debauchery. in other words, it s the perfect time to dive into the latest volume in the consistet balearic compilation series. there s naturally much to admire in the now-familiar cafe del mar/cafe mambo style, from the horizontal, flute-laden samba shuffle of the madrigals the ride to the moon and shay lovers exceedingly drowsy black & white, to the warm chords and head-nodding beats of steve cobby s remix of tradewinds by penelope antena, and tropical exuberance of maajos musa paradisa. best of all, though, is mudd s impeccable mix for emma of zee erf s blissful cover of southern freeez, which is one of the most stunning tracks you ll hear all year.

the dekmantel selectors compilation series is set to continue with a highly anticipated edition curated by joy orbison. first announced in 2015 when the selectors project was unveiled, the fourth compilation in the series finds the singular uk talent curating a sort of tribute to his home country and its rich musical history.

kuf create emotion-laden dialogues across layers of time and dimensions of sound. voices recorded in private are chopped up and brought out center-stage to sing with beats hammered out right here and now. glowing synths push forward. basslines rise to grab the melodic role of a track while a vowel is truncated and locked into a grid, driving the rhythm. voices move within the frame of a sample, performed by hands pushing keys, guided by the ear, immersed in a trio sessions deep flowÉ a vortex of quirky hands, responsive ears and glowing circuits. since thomas a. edison first recorded the human voice in 1877, the recording arts have changed music forever. musicians have explored the endless possibilities of bouncing their input onto layers of tape, off the walls of an echo chamber or the circuitry of electronic helpers - technology that modulates, spatializes, shifts, divides or multiplies the work of human hands and mouths. an era of sampling offered a cubistic analysis of the recorded past and djs took dancers onto intricately fractured time travels. this is the historic foundation that kuf keep probing. just like the sampler and the dj before them, they found new ways to re-allocate where machine and man stand when making music together. most importantly, they turn the resulting friction into sparkling bursts of energy. Ôuniverse digs deeper into the android vocal chords. the album offers sweeping melodies, different beats and persistent bass. immerse in the intimacy of the voices, probably recorded in trains, backstage areas and at late night private parties during berlin lichtenberg warehouse rehearsals. by striking the keys, kuf squeeze out and serve up all the soul accumulated in those savory phonetic shreds.

art-pop meets mongolian throat singing, blade runner meets walter carlos (clockwork orange). tom dissevelt and kid baltan (bowies lieblingsband) meets tame impala!

>what was old is new again<. the old adage is so tired that nobody takes its proper measure: all people hear is the word old, when the important one is new. making new things out of old things is an act of alchemy. the proof is in this fifth album no rest for the wicked of perpignan which is blown right open here and there by a few very contemporary guests.

the night is what makes a big city come to life. right after sundown, the hectic buzzing of downtown makes way for adventure playgrounds, bathed in neon light, revealing their countless chances and opportunities. its when youll find the subway spitting out its purpose seeking passengers by the minute. a coming and going of restless people passing through. all it takes is a few hours, before the sunrise makes it all disappear. mental bend captures the magic of that very moment in their dreamy soundtracks. if you close your eyes, you can see blurry pictures passing in slow motion, accompanied by their atmospheric songs. grainy black and white snapshots, fragments of memories lighting up somewhere in the farthest corner of the cortex. one step is the berlin-based indietronica duos visually vivid debut album, released on enfant fenou. mental bend are all about letting go. sissip (voc/synth/bass) and hendrik havekost (beats/production) know how to trust their instincts, crafting their hypnotic signature sound, somewhere in between electronica, ambient and dream pop. before founding the band in 2013, the two were already shaping their skills in all kinds of different formations and styles of music. as soon as they got together, they had a viral mini hit with their song take my hand, praised on various tastemaker blogs and generating over 100.000 likes on soundcloud in no time. the bands first long play record one step is all about important experiences and decisions, small as well as big steps, all a part of making progress, which in the end can even be life changing. it was a step, that recently got mental bend their record deal on mos ferrys sub label enfant fenou

handsome furs entstand, als sich spencer krug und dan boeckner Ð die beiden songschreiber und sŠnger von wolf parade Ð anderen projekten zuwandten, um ihre eigenen musikalischen ideen besser umsetzen zu kšnnen. spencer krug grŸndete die band sunset rubdown und dan boeckner mit ehefrau und schriftstellerin alexei perry das duo handsome furs. boeckner spielt meist gitarre und singt, wŠhrend perry keyboard und drumcomputer bedient.

late 80s south african dance floor winners only! selected by dj okapi and antal, the compilation holds tracks by jivaro, the hard workers, ayobayo band, s.y.b. & many more. this is the sharp electronic music that fuelled the local pantsula dances during the 80s and 90s . a must have for fans of bubblegum and kwaito music. top tip! the 12 tracks selected for pantsula! come from a very unique, very different time and place. they represent the birth of electronic dance music in south africa, through the songs of one particular independent label from the time: music team. the sound represents the culmination of the bubblegum era, when south africaÕs disco artists outgrew their american influences and forged an increasingly electronic and ÔlocalÕ pop sound

without new jersey native kerri kaoz chandler, house specifically deep house would sound very different. ever since his teens he has been making and playing music with a unique sense of soul, jazz and deepness. from majors like atlantic, king street sounds and nervous via his own madhouse, his releases are never short of genre-defining classics that have spawned a thousand copycats. affectionately referred to as the stevie wonder of house, kerriÕs dj sets take him all over the world and often find him playing live keys next to his informed selections. heÕs meticulous about sound, too, which means that no-ones kicks hit quite like kerris. his instantly classic and timeless dj-kicks mix, though, takes him out of the club and through a world of influences and inspiration

hot off the heels of the beautiful obsolete machines lp released this month, radiuss cassette demo restoration project returns to form with the interpolation tapes series. the original source tapes had aged, warped and degraded and as a result we ve preserved the best segments, sampled and reprocessed with a vintage prophet 2000 sampler, studio 440 and various linn samplers to add depth and range to the original source material. we ve spent nearly an entire year restoring and interpolating over 100 hours of music, processing sound and redesigning the blueprints of this long forgotten project. every track was originally recorded down to an old tascam 688, an 8 track cassette recorder purchased and abused since 1992 and to our ears still sounds quite impressive even by modern standards. we ve had nearly every component replaced and re-calibrated to bring this obsolete machine back to life. it s been a truly nostalgic experience re-visiting and re-arranging these masters, regardless of the time passed, there s so much depth in sound design, raw emotions and when considering the limitations of hardware in the era these were recorded, they ve truly aged like a fine wine. we hope you enjoy this magical time in music, as we are very inspired by all that was happening in those years, theres undeniably something in the air, a mystifying energy, long may it live on.

over the years, berlin has been cited as oliver koletzkis main point of reference and, more importantly, his endless source of inspiration. his albums gro§stadtmŠrchen and gro§stadtmŠrchen 2 are wholehearted tributes of the german capital, as its importance is continuously hinted and charted. friedrichshain, one of berlins vibrant districts, has always held a special place in olivers heart. this is where he started out when he first moved to the city, and this is where he lives now. kreuzbergs wall paintings adorn stil vor talent s cover sleeves and host their headquarters. there are little to no corners in the city that havent brought a spark of inspiration into the mix. the schneeweiss compilation series, now at its eigth installment, is built as a form of tribute to all these particles, tied in together into a series of care

liquicity drum & bass 2017 features the best uploads of the liquicity youtube channel this year! 33 essential tracks for your collection and a continuous album mix by maduk.
this package contains a cd with the full length album mix and a digital download bundle.

damon wild and david sumner (aka functions) relationship dates back to 1991 at lord michaels future shock, limelight, new york city when damon was running experimental records via northcott productions. at the time, he first saw something in dave and added him to brand x, a record pool run by moneypenny. but their bond is based around a period 5 years later when dave had an apartment above rogue music at 251 west 30th street in midtown, manhattan. it was during this time damon developed him as a synewave artist and released his first ep as function in the fall of 1996 catalog number sw-24. falling in and out of touch over the years, across continents, the two have somehow remained on the same cosmic path. so itÕs not a coincidence that now damon has turned to dave to release his first album in 13 years, during the time he is reissuing that first synewave ep on recompiled i/ii & ii/ii (a-ton lp02/03). this is where those paths cross again. 21 years later, this fall, dave will release cosmic path on infrastructure. the cosmic connection.